2016, ISBN: 9781140838135

Hardcover

Charlottesville: Bibliographical Society, 1967. cloth. 8vo. cloth. 291 pages. Edited by Fredson Bowers. Article Foreword [pp. v-vi] Article The Greatest English Lyric? -- A New Readin… More...

Charlottesville: Bibliographical Society, 1967. cloth. 8vo. cloth. 291 pages. Edited by Fredson Bowers. Article Foreword [pp. v-vi] Article The Greatest English Lyric? -- A New Reading of Joe E. Skilmer's "Therese" by John Frederick Nims [pp. 1-14] Article Tudor Roses from John Tate by Allan Stevenson [pp. 15-34] Article The Printers and The Beaumont and Fletcher Folio of 1647, Section 2 by Robert K. Turner, Jr. [pp. 35-59] Article Richardson's Revisions of Pamela by T. C. Duncan Eaves and Ben D. Kimpel [pp. 61-88] Article William Strahan's Ledgers: Standard Charges for Printing, 1738-1785 by Patricia Hernlund [pp. 89-111] Article "Woodcuts Dropped into the Text": The Illustrations in The Old Curiosity Shop and Barnaby Rudge by Joan Stevens [pp. 113-134] Article Two 'New' Texts of Thomas Hardy's The Woodlanders by Dale Kramer [pp. 135-150] Article Harriet Weaver's Letters to James Joyce 1915-1920 by John Firth [pp. 151-188] Article The Manuscript of The Sound and the Fury: The Revisions in the First Section by Emily K. Izsak [pp. 189-202] Article A System of Color Identification for Bibliographical Description by G. Thomas Tanselle [pp. 203-234] Article The Influence of Justification on Spelling in Jaggard's Compositor B by William S. Kable [pp. 235-239] Article New Evidence on the Provenence of the Padua Prompt-Books of Shakespeare's Macbeth, Measure for Measure, and Winter's Tale by G. Blakemore Evans [pp. 239-242] Article The Library of Lady Southwell and Captain Sibthorpe by Sister Jean Carmel Cavanaugh, S.L. [pp. 243-254] Article Coleridge's Lines to Thelwall: a Corrected Text and a First Version. by C. G. Martin [pp. 254-257] Article Notes on the Destruction of The Scarlet Letter Manuscript by Matthew J. Bruccoli [pp. 257-259] Article Washington Irving: an Unrecorded Periodical Publication by Daniel R. Barnes [pp. 260-261] Article A Speech by W. D. Howells by George Monteiro [pp. 262-263] Article Some New Stephen Crane Items by George W. Hallam [pp. 263-266] Article An Unpublished Review by Henry James by James Kraft [pp. 267-273] Checklist A Selective Check List of Bibliographic Scholarship for 1965 [pp. 274-291]., Bibliographical Society, 1967, New York: Pharos Books, 1990. 297 pp. Original light blue paper covered boards w/ gilt title on white cloth spine. Very bright and clean. Spine ends slightly bumped. DJ has mild wear to edges. Lightly soiled. Illust. w/ b/w photos. Contents very nice.. First Edition. Hard Cover. Very Good+/Very Good+. 8vo - over 7¾" - 9¾" tall., Pharos Books, 1990, University of Chicago Press, Chicago and London: 2016. Softcover. Brand new book. Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilariousÑand one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it's not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller's own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It's how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller's emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don'ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor. "An insider's book to cure writers . . . while shoring up editors. . . . Good advice." --TLS, "In Brief" "One of the great virtues of this book (which has been very well copy-edited) is the many helpful examples of exchanges and situations Saller uses to illustrate her points. Many are realÑand some, incidentally, very funny." --William Safire, New York Times "Carol Fisher Saller . . . knows editing is as much about people as paragraphs, and that mastering diplomacy is as important as mastering stylebooks." --American Copy Editors Society "A little insider baseball . . . What may be the best copy editor's companion since the CMS, the AP Style Guide and that dog-eared xerox of copy editing marks you keep tacked up on the cubicle wall. . . . With entire chapters devoted to the freelancer and the writer, and an extensive guide for further reading, this is an ideal complement to any style guide: practical, relentlessly supportive and full of ed-head laughs" --Publishers Weekly Online "In this slim volume, Saller not only presents the sometimes muddy art of copyediting in a clear, matter-of-fact way; she has a lot of fun doing it. . . . The Subversive Copyeditor is a wonderful read for anyone involved in copyediting and an especially good 'welcome' gift for the many enthusiasticÑand regrettably underpaidÑinterns now entering the publishing field." --Publishing Research Quarterly "Carol Fisher Saller has hit this one out of the ballpark. Ms. Saller is knowledgeable and funny, her advice practical and relevant, and the book she has written is above all readable. So readable, in fact, that when I received a set of uncorrected page proofs for review, I could not put them down. . . . It was exhilarating, as if I'd been to a revival meeting where Ms. Saller was the preacher and I was the amen corner." --Wendalyn Nichols, Copyediting "A wonderfully concise yet nuanced guide for the working (or would-be-working) copy editor. . . . [Saller] wears her experience well, urging flexibility, transparency, and tactÑalong with, obviously, consistency and reasonÑin working with authors and their copy." --Alan Moores, Booklist "It's no surprise that the droll and (seemingly) all-knowing wizard behind the Chicago Style Q&A puts it all togetherÑentertaininglyÑfor manuscript editors in this real-world guide to job success and survival. The surprise is how urgent it is for every author, client, and boss who works with editors to embrace Carol Fisher Saller's 'subversiveness'Ñor suffer the next outcome from hell." --Arthur Plotnik, author of The Elements of Editing and Spunk & Bite: A Writer's Guide to Bold, Contemporary Style , among others. Q. I'm just starting out as a copy editor. I've read the style manuals, but can you suggest a book that will give me a sense of what's important and put my job in perspective? A. Happily, yes. In The Subversive Copy Editor you will find chatty, sensible advice from the guru behind the Chicago Style Q&A. Carol Fisher Saller's well-reasoned plea for carefulness, transparency, and flexibility will keep both on-staff and freelance editors on the right path. ÑJenya Weinreb, Managing Editor, Yale University Press "Serving the reader by working cooperatively with the writer? Sometimes throwing 'the rules' out the window? Clearing the decks of pet peeves, mythical prohibitions and intractability? That is subversive. And welcome." Craig Lancaster, Billings Gazette "Watch Yer Language" blog "Anyone who has struggled with how to apply various rules to improve her writing would benefit from reading Saller's book. Though it isn't a style guide itselfÑthat's what the Chicago Manual and other guides are forÑthe book is a perfect complement to such guides." --Sarah C. Lange | The Writer "Carol Fisher Saller is the mentor that every copyeditor dreams of: wise, smart, shrewd, gracious, generous, and self-deprecating. Her advice on how to manage your deadlines, your computer files and e-mail, your relations with authors and colleagues, and your editorial compulsions, fears, and superstitions will add years (long, happy, productive years) to your life." Amy Einsohn, author of The Copyeditor's Handbook "I've got dozens of books concerned with the nuts and bolts of copy-editing, but this is the only one that teaches the fine art of chilling out. . . . Saller's project, in about 100 pages, is to (a) civilize the editing process, and (b) keep copy editorsÑmeticulous and learned and hard-working, but also stubborn and obsessive, sometimes injuriously soÑfrom going insane. . . . There's advice here on deadline management, e-mail etiquette and how to handle 'the difficult author'. . . . 'The Subversive Copy Editor' will remain on my shelf. I think Mr. Bernstein and Messrs. Strunk and White will find Saller to be good company." --Jennifer Balderama | New York Times blog "Papercuts" "An entertaining trip even for those who never plan to lift a red pen or use the editing feature of a word-processing program." --Tom Frisbee, Chicago Sun-Times "While copy editors are Saller's target audience, The Subversive Copy Editor includes wisdom that applies to just about anyone: how to ask questions without making them sound like accusations, and how to prevent your in-box from becoming an unmanageable mountain of e-mails." --Robert Loerzel | Time Out Chicago "Carol Fisher Saller is a comedian in copy editor's clothing--or should that be comedienne? . . . This is not a book about where the commas go, but rather where an editor's hand should and shouldn't go. . . . While the book is probably most useful to new or would-be editors, some of its advice is universalÑcommunicate quickly and directly, be organized but resist compulsion, take deadlines seriously, document everything. Each chapter is prefaced with a question, with the clever answer placed at the end, and her stories from the front lines (the writer who described someone hiking 5,723 miles up a mountain, the editor who used a phone to anonymously wake her napping boss) keep things entertaining." --Jim Foti, Minneapolis Star-Tribune "Carol Fisher Saller is a nicer person than I amÑnot that that is any great feat. She maintains the question-and-answer feature at The Chicago Manual of Style's online site, giving brisk, concise, helpful and sometimes amused answers to a barrage of questions from writers and editors. That same level-headed advice appears on every page of The Subversive Copy Editor. . . . If you are a copy editor, an aspirant to copy editing, or a writer dealing with copy editors, a $13 investment will be money well spent on your career. . . . . I wish I had had this book 30 years ago; it could have saved me from any number of rash actions and missteps." --John E. McIntyre, Baltimore Sun "You don't say" blog "The Subversive Copy Editor is a delightful book. I haven't had this much fun reading about things editorial since devouring Anne Lamott's Bird by Bird. . . ..[ Saller's] book is filled with excellent advice and illuminating anecdotes, and Saller has an engaging writing style and a wonderful sense of humor." --Stephanie Deming | Science Editor "Saller writes with equal parts of experience and heart. . . . Whether you are a casual editor, a teacher, a student, or a communications professional, you likely should read this book, if not for the concise fount of wisdom it is, then at least for a knowing chuckle or two. You'll laugh, you'll cry, you'll take notes." --Gary Hernandez, Technical Communication "The Subversive Copy EditorÑwhat a great title! That alone was enough to make me pick up a copy right away. . . . --Society of Writers, Editors & Translators "The advice it contains is solid and pertinent, and I suspect it could be quite an eye-openerÑpossibly even life-changingÑfor some working editors. Saller's humor is infectious, and helps her to make points effectively, so that even experienced editors happy with their working relationships will enjoy the read, as well as possibly picking up some useful suggestions and tips and gaining some beneficial insights." --Stephen K. Donovan | Journal of Scholarly Publishing "The author succeeds in maintaining momentum to justify these early revelations in the rest of the book. She has written a collection of simple, practical messages for copy editors and their authors, favouring a readable, chatty style that doesn't seek to overemphasize them. Saller's prose thus remains digestible, with sufficient examples to illustrate her message. Although much of the substance of this book will be common sense to an experienced, organized, thinking editor, it is nonetheless worth repeating, particularly in such a readable style." --Barbara Rixstine | Lincoln Journal Star "A treasure house of advice, stories, suggestions and how to handle the difficult author. If you work with copy or authors, you should have this book by your desk." Pamela Toler, American Society of Journalists and Authors Monthly, University of Chicago Press, Chicago and London: 2016, J. M. Dent & Co., 1962. Volume 1 only of a two-volume set. Pages crisp and clean except for a bookplate on the front endpaper and a shallow binder's trim error at the right edges of pages 309-332; binding square and secure, full green cloth cover showing two small whitish spots at the lower right front, gentle softening at the spine ends, and light rubbing at spine ends, heel edges, and free corners, otherwise excellent. Jacket shows a sticker remnant and scuff at the top right front, spots of surface rubbing, mild fading and thin lines of rubbing along the spine as well as some rubbing and light chipping at spine ends, otherwise sound and attractive, now protected in a clear sleeve.. Hardcover. Very Good/Good., J. M. Dent & Co., 1962, The History Press, 2009-07-01. Paperback. Used:Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service., The History Press, 2009-07-01, Gale ECCO, Print Editions, 2010-05-27. Paperback. Used:Good. Ships Fast. Expedite Shipping Available., Gale ECCO, Print Editions, 2010-05-27<