Dani Jones:The iPad for Artists: How to Make Great Art with the Digital Tablet
- Paperback 2010, ISBN: 9781908150936
Hardcover
Kids Can Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex lib… More...
Kids Can Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Kids Can Press, 2.5, Allworth. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Allworth, 2.5, New York: Greystone Press, 1973 49 pages. The covers are rubbed and creased. There is heavy wear to the top edge of the front cover. The spine has moderate wear. A name is written in ink on the interior of the front cover. The top edge of the text is bent., Greystone Press, 1973, 2.5, Garden City New York: Doubleday, 1964 193 pages including index. Over 200 illustrations, 45 in full color. The exterior is lightly worn. The edges of the text block are faintly foxed. The endpapers are foxed and discolored from the jacket. A name and date are written on the FFEP. The text is clean and unmarked. The jacket is heavily worn and soiled.but still in one piece., Doubleday, 1964, 2.25, Rutgers University Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Rutgers University Press, 2.5, Chilton Book Co. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Chilton Book Co, 2.5, Longman. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Longman, 2.5, Prestel. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Prestel, 2.5, Brand: The Museum of Modern Art, New York. paperback. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., Brand: The Museum of Modern Art, New York, 1, Blue Mountain Arts. paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Blue Mountain Arts, 2.5, Simon & Schuster. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Simon & Schuster, 2.5, Double Day. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Double Day, 2.5, The Lyons Press. Paperback. VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s)., The Lyons Press, 3, Apple Press. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Apple Press, 2.5, Blue Mountain Arts. paperback. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., Blue Mountain Arts, 1, The Lyons Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., The Lyons Press, 2.5, Visual Manna. Spiral-bound. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Visual Manna, 2.5, Players Pr. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Players Pr, 2.5, Crown Publishers. Hardcover. POOR. Noticeably used book. Heavy wear to cover. Pages contain marginal notes, underlining, and or highlighting. Possible ex library copy, with all the markings/stickers of that library. Accessories such as CD, codes, toys, and dust jackets may not be included., Crown Publishers, 1, Focal Press. Paperback. VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s)., Focal Press, 3, Blue Mountain Arts. Used - Good. . . All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business., Blue Mountain Arts, 2.5, University of Illinois Press. Used - Good. . . All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business., University of Illinois Press, 2.5, Dreamworks, 2010. DVD. Very Good/Very Good. No Stock Photos! We photograph every item. good condition DVD in original case with inserts; French/English version. An ambitious executive accepts an invitation from his boss to attend a dinner party where high-powered professionals make fun of unsuspecting dimwits in this remake of Francis Veber's 1998 comedy The Dinner Game. Upwardly mobile executive Tim (Paul Rudd) has just landed his company an extremely wealthy Swiss client when his boss, Lance (Bruce Greenwood), invites him to an exclusive, yet unusually mean-spirited dinner party where each of the high-powered executives brings a guest to make fun of. Recognizing that his long-awaited promotion is finally within reach, Tim begins to have second thoughts about participating in the elaborate charade when his longtime girlfriend, Julie (Stephanie Szostak), the successful curator at a local art gallery, voices intense disdain for the idea. The following day, Tim is looking for a way out of the dinner when fate throws the perfect guest right in front of his luxury car. Barry (Steve Carell) is a sweet but dim-witted IRS agent with an unusual hobby: he creates elaborate dioramas featuring stuffed mice. His latest project is "The Last Supper," and he's just put the finishing touches on a tiny mouse Jesus to set at the center of the table. Tim knows that Barry is his ticket to a big corner office on the seventh floor, but the closer the party looms, the more he realizes that his bumbling new acquaintance isn't just an idiot, but also is a magnet for chaos. Jason Buchanan, Rovi, Dreamworks, 2010, 3, Paperback. Very Good., 3<
