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Ornament: The Politics of Architecture and Subjectivity Antoine Picon Author
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ISBN: 9781119965954

Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well… More...

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Ornament: The Politics of Architecture and Subjectivity Antoine Picon Author
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Ornament: The Politics of Architecture and Subjectivity Antoine Picon Author - new book

ISBN: 9781119965954

Once condemned by Modernism and compared to a 'crime' by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known archi… More...

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Ornament : The Politics of Architecture and Subjectivity - Antoine Picon
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Antoine Picon:
Ornament : The Politics of Architecture and Subjectivity - Paperback

2013

ISBN: 1119965950

[EAN: 9781119965954], Neubuch, [SC: 0.0], [PU: Wiley Mai 2013], ARCHITECTURE; ARCHITECTURE / GENERAL, Neuware - Over the last decade or so, the widespread adoption of digital techniques h… More...

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Ornament: The Politics of Architecture and Subjectivity: The Politics of Architecture and Subjectivity - AD Primer (Architectural Design Primer) - Picon, Antoine
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Picon, Antoine:
Ornament: The Politics of Architecture and Subjectivity: The Politics of Architecture and Subjectivity - AD Primer (Architectural Design Primer) - Paperback

2013, ISBN: 9781119965954

Wiley, Taschenbuch, Auflage: 2. 168 Seiten, Publiziert: 2013-03-26T00:00:01Z, Produktgruppe: Buch, 0.95 kg, Verkaufsrang: 2432691, Film, Kunst & Kultur, Kategorien, Bücher, Fremdsprachige… More...

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Ornament - Antoine Picon
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Antoine Picon:
Ornament - Paperback

2013, ISBN: 9781119965954

The Politics of Architecture and Subjectivity, Buch, Softcover, [PU: John Wiley & Sons Inc], John Wiley & Sons Inc, 2013

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Details of the book
Ornament: The Politics of Architecture and Subjectivity Antoine Picon Author

Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology.

Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contri

Details of the book - Ornament: The Politics of Architecture and Subjectivity Antoine Picon Author


EAN (ISBN-13): 9781119965954
ISBN (ISBN-10): 1119965950
Hardcover
Paperback
Publishing year: 2013
Publisher: Wiley Core >1
168 Pages
Weight: 0,425 kg
Language: Englisch

Book in our database since 2009-01-28T17:58:58+00:00 (London)
Detail page last modified on 2024-04-08T12:05:03+01:00 (London)
ISBN/EAN: 9781119965954

ISBN - alternate spelling:
1-119-96595-0, 978-1-119-96595-4
Alternate spelling and related search-keywords:
Book author: antoine picon, pico, sauerbruch, adolf loos, herzog meuron, adolf rank
Book title: architectural design, ornament, architecture, the politics design


Information from Publisher

Author: Antoine Picon
Title: Architectural Design Primer; Ornament - The Politics of Architecture and Subjectivity - AD Primer
Publisher: Wiley; John Wiley & Sons
168 Pages
Publishing year: 2013-03-26
Weight: 0,430 kg
Language: English
38,90 € (DE)
Not available (reason unspecified)
166mm x 217mm x 10mm

BC; Hardcover, Softcover / Kunst/Architektur; Architekturtheorie; Architectural Theory; Architecture; Architektur; Architektur / Theorie; Wirtschaft /Ratgeber; Architektur / Theorie; BB

Once condemned by Modernism and compared to a 'crime' by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the 'subjective' - the human interaction that ornament requires in both its production and its reception - and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today's ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?

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