El Greco: Eine Einführung in das Leben und Wirken - Paperback

EAN (ISBN-13): 9783862675364
ISBN (ISBN-10): 386267536X
Paperback
Publisher: Europäischer Literaturverlag

Book in our database since 2012-05-02T15:02:53+01:00 (London)
Detail page last modified on 2015-07-18T18:40:04+01:00 (London)
ISBN/EAN: 386267536X

ISBN - alternate spelling:
3-86267-536-X, 978-3-86267-536-4
Alternate spelling and related search-keywords:
Book author: august mayer
Book title: greco

---

Information from Publisher

Author: August L. Mayer
Title: El Greco - Eine Einführung in das Leben und Wirken
Publisher: Europäischer Literaturverlag
Publishing year: 2012-06-30
Language: German
30,80 € (DE)

BC; PB; Hardcover, Softcover / Sachbücher/Kunst, Literatur/Bildende Kunst; Kunst: allgemeine Themen; Künste, Bildende Kunst allgemein

Kreta gab ihm das Leben, Toledo die Kunst. Seine Eigenart werden noch die spätesten Geschlechter bewundern, keiner aber wird sie nachahmen!" Domenico Theotocopuli genannt El Greco sollte dieser Nachruf gelten, dem Hauptmeister des Spätmanierismus, der ausklingenden Renaissance in Europa. In seiner Malerei vermischen sich die byzantinischen und venezianischen Stilelemente. Ein Kennzeichen seiner eigenen Ausdruckssprache sind seine mystisch wirkenden Figuren, die er einerseits überlängte, andererseits dennoch im realistischen Charakter malte. Einen Eindruck hierfür bekommt man auf den zahlreichen Abbildungen, die durch die Lektüre begleiten. 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John Wiley & Sons 272 2011-09-13 EA; E101; E-Book; Nonbooks, PBS / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft; Literaturwissenschaft, allgemein; Einführungen in die Literatur; Englische Literatur; English Literature; Introductions to Literature; Literature; Literaturwissenschaft; Allg. Literaturwissenschaft; Einführungen in die Literatur; Englische Literatur; Vereinigtes Königreich, Großbritannien; Englisch; BB; BC eng 27.99 EUR List of Illustrations. The Elements. Preface. The Scope and Aims of This Book. Storytelling Media and Modes of Narration. Acknowledgments. 1. Getting Started: A Thumbnail Sketch of the ApproachDeveloped in This Book. Toward a Working Definition of Narrative. Profiles of Narrative. Narrative: Basic Elements. 2. Background and Context: Framing the Approach. Interdisciplinary Perspectives on Narrative and NarrativeTheory. Major Trends in Recent Scholarship on Narrative. 3. Back to the Elements: Narrative Occasions. Situating Stories. Sociolinguistic Approaches. Positioning Theory. The Narrative Communication Model. Conclusion. 4. Temporality, Particularity, and Narrative: An Excursioninto the Theory of Text Types. From Contexts of Narration to Narrative as a Type of Text. Text Types and Categorization Processes. Narrative as a Text-Type Category: Descriptions vs. Stories vs.Explanations. Summing up: Text Types, Communicative Competence, and the Roleof Stories in Science. 5. The Third Element: Or, How to Build a Storyworld. Narratives as Blueprints for Worldmaking. Narrative Ways of Worldmaking. Narrative Worlds: A Survey of Approaches. Configuring Narrative Worlds: The WHAT, WHERE, and WHENDimensions of Storyworlds. Worlds Disrupted: Narrativity and Noncanonical Events. 6. The Nexus of Narrative and Mind. The Consciousness Factor. Consciousness Across Narrative Genres. Experiencing Minds: What It's Like, Qualia, Raw Feels. Storied Minds: Narrative Foundations of Consciousness?. Appendix. Reproduction of Ernest Hemingway's "Hills Like White Elephants"(1927). Transcript of a Story Told during Face-to-Face Interaction: UFOor the Devil. Pages from Daniel's Clowes's Graphic Novel Ghost World(1997). Screenshots from Terry Zwigoff's Film Version of Ghost World(2001). Glossary. References. 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The Elements. Preface. The Scope and Aims of This Book. Storytelling Media and Modes of Narration. Acknowledgments. 1. Getting Started: A Thumbnail Sketch of the ApproachDeveloped in This Book. Toward a Working Definition of Narrative. Profiles of Narrative. Narrative: Basic Elements. 2. Background and Context: Framing the Approach. Interdisciplinary Perspectives on Narrative and NarrativeTheory. Major Trends in Recent Scholarship on Narrative. 3. Back to the Elements: Narrative Occasions. Situating Stories. Sociolinguistic Approaches. Positioning Theory. The Narrative Communication Model. Conclusion. 4. Temporality, Particularity, and Narrative: An Excursioninto the Theory of Text Types. From Contexts of Narration to Narrative as a Type of Text. Text Types and Categorization Processes. Narrative as a Text-Type Category: Descriptions vs. Stories vs.Explanations. Summing up: Text Types, Communicative Competence, and the Roleof Stories in Science. 5. The Third Element: Or, How to Build a Storyworld. Narratives as Blueprints for Worldmaking. Narrative Ways of Worldmaking. Narrative Worlds: A Survey of Approaches. Configuring Narrative Worlds: The WHAT, WHERE, and WHENDimensions of Storyworlds. Worlds Disrupted: Narrativity and Noncanonical Events. 6. The Nexus of Narrative and Mind. The Consciousness Factor. Consciousness Across Narrative Genres. Experiencing Minds: What It's Like, Qualia, Raw Feels. Storied Minds: Narrative Foundations of Consciousness?. Appendix. Reproduction of Ernest Hemingway's "Hills Like White Elephants"(1927). Transcript of a Story Told during Face-to-Face Interaction: UFOor the Devil. Pages from Daniel's Clowes's Graphic Novel Ghost World(1997). Screenshots from Terry Zwigoff's Film Version of Ghost World(2001). Glossary. References. Index";}}}i:2;a:2:{s:4:"NAME";s:11:"TextContent";s:5:"CHILD";a:3:{i:0;a:2:{s:4:"NAME";s:8:"TextType";s:5:"CDATA";s:2:"06";}i:1;a:2:{s:4:"NAME";s:15:"ContentAudience";s:5:"CDATA";s:2:"00";}i:2;a:3:{s:4:"NAME";s:4:"Text";s:5:"ATTRS";a:2:{s:10:"textformat";s:2:"06";s:8:"language";s:3:"eng";}s:5:"CDATA";s:792:"This book has some very valuable pieces of narrative wisdom thatwould be useful to scholars in narrative theory, literary analysisand sociolinguistics...It is, however, a complete and solidcompanion for those con-cerned with the important task offurther developing the field of narrative inquiry." (DiscourseStudies, December 2010) "In Basic Elements of Narrative the eminent narratologistDavid Herman offers new ideas about what narrative is . . .Theinterdisciplinary nature of this chicken-and-egg question-whethernarratives represent what it's like to live in our world or welearn from narratives what it's like to live in our world-serves asan excellent indication of the breadth of the audience for whichHerman's book will be thought-provoking." (Papers on Languageand Literature, 2010)";}}}i:3;a:2:{s:4:"NAME";s:11:"TextContent";s:5:"CHILD";a:3:{i:0;a:2:{s:4:"NAME";s:8:"TextType";s:5:"CDATA";s:2:"12";}i:1;a:2:{s:4:"NAME";s:15:"ContentAudience";s:5:"CDATA";s:2:"00";}i:2;a:3:{s:4:"NAME";s:4:"Text";s:5:"ATTRS";a:2:{s:10:"textformat";s:2:"06";s:8:"language";s:3:"eng";}s:5:"CDATA";s:900:"David Herman teaches in the Department of English at Ohio State University, where he co-founded Project Narrative, a new interdisciplinary initiative designed to promote state-of-the-art research and teaching in the area of narrative studies. He is editor of the Frontiers of Narrative book series and also the new journal Storyworlds, both published by the University of Nebraska Press. 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