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Richard Strauss and His World - Gilliam, Bryan (ed.)
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Gilliam, Bryan (ed.):
Richard Strauss and His World - Paperback

ISBN: 9780691027623

[ED: Taschenbuch], [PU: PRINCETON UNIV PR], Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. Review: ... This book of essays, letters, memoirs, and criticism is a most cordial study of Strauss and his music.... This is a significant book that gives readers a very positive assessment of a very important 20th-century composer. (Choice) Table of contents: TR Preface and Acknowledgments TD ALIGN="RIGHT" TR Pt. I Essays TD ALIGN="RIGHT" TR The Enigmas of Richard Strauss: A Revisionist View TD ALIGN="RIGHT"3 TR Daphne's Transformation TD ALIGN="RIGHT"33 TR Structure and Program in Macbeth: A Proposed Reading of Strauss's First Symphonic Poem TD ALIGN="RIGHT"67 TR Ruhe, meine Seele! and the Letzte Orchesterlieder TD ALIGN="RIGHT"90 TR "Lass Er die Musi, wo sie ist": Pitch Specificity in Strauss TD ALIGN="RIGHT"138 TR Richard Strauss and the Question TD ALIGN="RIGHT"164 TR Pt. II Letters TD ALIGN="RIGHT" TR Selections from the Strauss-Thuille Correspondence TD ALIGN="RIGHT" TR A Glimpse of Strauss during His Formative Years TD ALIGN="RIGHT"193 TR Selections from the Strauss-Gregor Correspondence: The Genesis of Daphne TD ALIGN="RIGHT"237 TR Pt. III Memoirs TD ALIGN="RIGHT" TR Richard Strauss: The Man TD ALIGN="RIGHT"273 TR Richard Strauss: Seer and Idealist TD ALIGN="RIGHT"280 TR Richard Strauss at Eighty TD ALIGN="RIGHT"287 TR The Last Visit with Richard Strauss TD ALIGN="RIGHT"295 TR Pt. IV Criticism and Reception TD ALIGN="RIGHT" TR On the Tone Poems of Richard Strauss TD ALIGN="RIGHT"305 TR Strauss and the Viennese Critics (1896-1924): Reviews by Gustav Schoenaich, Robert Hirschfeld, Guido Adler, Max Kalbeck, Julius Korngold, and Karl Klaus TD ALIGN="RIGHT"311 TR Elektra: A Study by Paul Bekker TD ALIGN="RIGHT"372 TR Richard Strauss at Sixty TD ALIGN="RIGHT"406 TR Index of Names and Compositions TD ALIGN="RIGHT"417 TR List of Contributors TD ALIGN="RIGHT"425 444 pages Versandfertig in über 4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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Richard Strauss and His World
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Richard Strauss and His World - Paperback

ISBN: 0691027625

ID: 10537539841

[EAN: 9780691027623], Neubuch, [PU: Princeton University Press], BRYAN GILLIAM,HISTORY AND CRITICISM,TELEVISION PERFORMERS,CLASSICAL, Music|Classical, Biography & Autobiography|Musicians & Composers, Biography & Autobiography|General, Paperback. 425 pages. Dimensions: 8.8in. x 5.9in. x 1.2in.Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strausss musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composers life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composers stylistic about face after Elektra; Derrick Puffett reinforces the argument for Strausss artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composers political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmanns moving account of his last visit with Strauss shortly before the composers death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.

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Richard Strauss and His World (Paperback)
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Richard Strauss and His World (Paperback) - Paperback

1992, ISBN: 0691027625

ID: 2694040486

[EAN: 9780691027623], Neubuch, [PU: Princeton University Press, United States], Music|Classical, Biography & Autobiography|Musicians & Composers, Biography & Autobiography|General, Language: English . Brand New Book. Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss s musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer s life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer s stylistic about face after Elektra; Derrick Puffett reinforces the argument for Strauss s artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer s political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann s moving account of his last visit with Strauss shortly before the composer s death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold.

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Richard Strauss and His World - Gilliam, Bryan
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ISBN: 9780691027623

ID: 2545563

Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. Richard Strauss and His World Gilliam, Bryan, Princeton University Press

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Richard Strauss and His World - Bryan Gilliam
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Bryan Gilliam:
Richard Strauss and His World - Paperback

1992, ISBN: 9780691027623

ID: 675837

Softcover, Buch, [PU: Princeton University Press]

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Details of the book
Richard Strauss and His World
Author:

Gilliam, Bryan (ed.)

Title:

Richard Strauss and His World

ISBN:

This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life.

Details of the book - Richard Strauss and His World


EAN (ISBN-13): 9780691027623
ISBN (ISBN-10): 0691027625
Paperback
Publishing year: 1992
Publisher: PRINCETON UNIV PR
440 Pages
Weight: 0,626 kg
Language: eng/Englisch

Book in our database since 03.03.2007 16:24:03
Book found last time on 26.04.2017 09:53:27
ISBN/EAN: 0691027625

ISBN - alternate spelling:
0-691-02762-5, 978-0-691-02762-3


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