1992, ISBN: 069102345X

Titel: To Free the Cinema | Zusatz: Jonas Mekas and the New York Underground | Medium: Taschenbuch | Redaktion: David E. James | Einband: Kartoniert / Broschiert | Inhalt: Einband - flex.… More...

Titel: To Free the Cinema | Zusatz: Jonas Mekas and the New York Underground | Medium: Taschenbuch | Redaktion: David E. James | Einband: Kartoniert / Broschiert | Inhalt: Einband - flex.(Paperback) | Sprache: Englisch | Seiten: 344 | Maße: 229 x 152 x 20 mm | Erschienen: 05.05.1992 | Anbieter: Buchbär. To Free the Cinema Jonas Mekas and the New York UndergroundTaschenbuch von David E. James Details Autor: David E. JamesRedaktion: David E. JamesEAN: 9780691023458Einband: Kartoniert / BroschiertInhalt: Einband - flex.(Paperback)Sprache: EnglischSeiten: 344Maße: 229 x 152 x 20 mmErschienen: 05.05.1992Schlagworte: Theater / Ballett / Film / Fernsehen / Filmgeschichte / Filmtheorie und Filmkritik / PERFORMING ARTS / Film & Video / History & Criticism Beschreibung Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercial*sm or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim. Kurzbeschreibung Titel: To Free the Cinema | Zusatz: Jonas Mekas and the New York Underground | Medium: Taschenbuch | Redaktion: David E. James | Einband: Kartoniert / Broschiert | Inhalt: Einband - flex.(Paperback) | Sprache: Englisch | Seiten: 344 | Maße: 229 x 152 x 20 mm | Erschienen: 05.05.1992 | Anbieter: Buchbär Das erwartet Sie bei Buchbär Schnelle & professionelle Abwicklung Kompetenter & unkomplizierter Service Rechnung bequem per Email Versand per Deutsche Post oder DHL Interne Buchbär Artikelnummer: 107-493-098 , von Profianbieter, Neu, Festpreisangebot, [LT: FixedPrice], Ursprungsland: Deutschland, Buchtitel: To Free the Cinema, Anzahl der Seiten: 344, Marke: Princeton University Press, Hersteller: Princeton University Press, Format: Taschenbuch, Genre: Importe, Titelzusatz: Jonas Mekas and the New York Underground, Schlagworte: Theater, Ballett, Film, Fernsehen, Filmgeschichte, Filmtheorie un, Princeton University Press, 1992<

1992, ISBN: 069102345X

[EAN: 9780691023458], Neubuch, [PU: Princeton University Press, New Jersey], Paperback. Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s th… More...

[EAN: 9780691023458], Neubuch, [PU: Princeton University Press, New Jersey], Paperback. Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigre and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, film-distributor, and filmmaker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. Jonas Mekas is one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s This collection of essays, interviews, and photographs addresses such topics as Mekas' column in 'The Village Voice', his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives, and more. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

1992, ISBN: 069102345X

[EAN: 9780691023458], Neubuch, [PU: Princeton University Press], PERFORMING ARTS / FILM & VIDEO HISTORY CRITICISM, nach der Bestellung gedruckt Neuware - Printed after ordering - Jonas Me… More...

[EAN: 9780691023458], Neubuch, [PU: Princeton University Press], PERFORMING ARTS / FILM & VIDEO HISTORY CRITICISM, nach der Bestellung gedruckt Neuware - Printed after ordering - Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim., Books<

ISBN: 9780691023458

Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fe… More...

Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim. Trade Books>Trade Paperback>Movies & TV>Film Studies>Film Studies, Princeton University Press Core >1<

1992, ISBN: 069102345X

[EAN: 9780691023458], Neubuch, [PU: Princeton University Press, US], BIOGRAPHY, Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through th… More...

[EAN: 9780691023458], Neubuch, [PU: Princeton University Press, US], BIOGRAPHY, Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden.The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim., Books<