1982, ISBN: 9780691003443

gewerbliches Angebot, [SC: 3.99], gebraucht; gut, [PU: Princeton University Press], [GW: 518g], DE, 1: 380 p., 2: 386. Taschenbuch / Paperback. Aus der Bibliothek von Prof. Wolfgang Haase… More...

gewerbliches Angebot, [SC: 3.99], gebraucht; gut, [PU: Princeton University Press], [GW: 518g], DE, 1: 380 p., 2: 386. Taschenbuch / Paperback. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Altersbedingt leicht vergilbt, sonst guter Zustand / Slightly yellowed due to age, otherwise in good condition. - In this unique collection of notebooks, letters, treatises, and contracts dealing with the art of the Middle Ages and Renaissance, the reader is not only given an extraordinary insight into the personalities and conditions of the times but is also provided with basic and illuminating documents revealing the stylistic and philosophical concerns which evolved during these intensively creative eras. Many of these works have never before been available in English or assembled together in one volume. From Raul Glaber’s famous treatise of 1003 on the synthesis of old and new art forms and Durand’s essay on Christian symbolism in art, to the writings of Leonardo and Dürer on anatomy, perspective, and the recreation of reality, the medieval conception of life, inspired, oriented, and dominated by the Church, evolves gradually into the great awakening in which mankind itself assumes primary importance for art. /// The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese’s trial before the Holy Tribunal, the diary of Bernini’s journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses. ISBN 9780691003443, Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

1982, ISBN: 0691003440

[EAN: 9780691003443], Gebraucht, sehr guter Zustand, [SC: 3.99], [PU: Princeton University Press], 1: 380 p., 2: 386. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber… More...

[EAN: 9780691003443], Gebraucht, sehr guter Zustand, [SC: 3.99], [PU: Princeton University Press], 1: 380 p., 2: 386. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Altersbedingt leicht vergilbt, sonst guter Zustand / Slightly yellowed due to age, otherwise in good condition. - In this unique collection of notebooks, letters, treatises, and contracts dealing with the art of the Middle Ages and Renaissance, the reader is not only given an extraordinary insight into the personalities and conditions of the times but is also provided with basic and illuminating documents revealing the stylistic and philosophical concerns which evolved during these intensively creative eras. Many of these works have never before been available in English or assembled together in one volume. From Raul Glaber's famous treatise of 1003 on the synthesis of old and new art forms and Durand's essay on Christian symbolism in art, to the writings of Leonardo and Dürer on anatomy, perspective, and the recreation of reality, the medieval conception of life, inspired, oriented, and dominated by the Church, evolves gradually into the great awakening in which mankind itself assumes primary importance for art. /// The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses. ISBN 9780691003443 Sprache: Englisch Gewicht in Gramm: 518, Books<

1982, ISBN: 0691003440

[EAN: 9780691003443], Gebraucht, sehr guter Zustand, [PU: Princeton University Press], 1: 380 p., 2: 386. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW un… More...

[EAN: 9780691003443], Gebraucht, sehr guter Zustand, [PU: Princeton University Press], 1: 380 p., 2: 386. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Altersbedingt leicht vergilbt, sonst guter Zustand / Slightly yellowed due to age, otherwise in good condition. - In this unique collection of notebooks, letters, treatises, and contracts dealing with the art of the Middle Ages and Renaissance, the reader is not only given an extraordinary insight into the personalities and conditions of the times but is also provided with basic and illuminating documents revealing the stylistic and philosophical concerns which evolved during these intensively creative eras. Many of these works have never before been available in English or assembled together in one volume. From Raul Glaber's famous treatise of 1003 on the synthesis of old and new art forms and Durand's essay on Christian symbolism in art, to the writings of Leonardo and Dürer on anatomy, perspective, and the recreation of reality, the medieval conception of life, inspired, oriented, and dominated by the Church, evolves gradually into the great awakening in which mankind itself assumes primary importance for art. /// The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses. ISBN 9780691003443 Sprache: Englisch Gewicht in Gramm: 518, Books<