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Cindy Sherman - Johanna Burton
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Johanna Burton:
Cindy Sherman - Paperback

1, ISBN: 9780262524636

[ED: Taschenbuch], [PU: MIT University Press Group Ltd], Neuware - With her 'Untitled Film Stills' of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white 'Untitled Film Stills' through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as 'Centerfolds,' 'Fairy Tales,' and 'Disasters.' The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. -, DE, [SC: 0.00], Neuware, gewerbliches Angebot, 155x227x12 mm, [GW: 490g], PayPal, Kreditkarte, offene Rechnung, Banküberweisung, offene Rechnung (Vorkasse vorbehalten), Interntationaler Versand

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Cindy Sherman - Burton, Johanna
book is out-of-stock
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Burton, Johanna:
Cindy Sherman - Paperback

ISBN: 9780262524636

[ED: Taschenbuch], [PU: MIT University Press Group Ltd], With her "Untitled Film Stills" of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white "Untitled Film Stills" through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as "Centerfolds," "Fairy Tales," and "Disasters." The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. 240 p. - 9 x 6 in Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Cindy Sherman - Burton, Johanna / Owens, Craig / Crimp, Douglas
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Burton, Johanna / Owens, Craig / Crimp, Douglas:
Cindy Sherman - used book

1970, ISBN: 9780262524636

ID: 799107

With her "Untitled Film Stills" of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began--feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings. The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white "Untitled Film Stills" through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as "Centerfolds," "Fairy Tales," and "Disasters." The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Cindy Sherman Burton, Johanna / Owens, Craig / Crimp, Douglas, MIT Press (MA)

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Cindy Sherman (October Files) - Burton, Johanna (Editor), and Owens, Craig, and Crimp, Douglas
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Burton, Johanna (Editor), and Owens, Craig, and Crimp, Douglas:
Cindy Sherman (October Files) - Paperback

2006, ISBN: 9780262524636

ID: 13958693545

Paperback, Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority!, Gebraucht, guter Zustand, [PU: The MIT Press]

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Cindy Sherman - Johanna Burton
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Johanna Burton:
Cindy Sherman - Paperback

ISBN: 9780262524636

ID: 9780262524636

paperback, [PU: MIT Press]

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Details of the book
Cindy Sherman

With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance.

Details of the book - Cindy Sherman


EAN (ISBN-13): 9780262524636
ISBN (ISBN-10): 0262524635
Hardcover
Paperback
Publishing year: 2006
Publisher: MIT PR
222 Pages
Weight: 0,490 kg
Language: eng/Englisch

Book in our database since 31.05.2007 15:45:12
Book found last time on 06.09.2017 00:24:53
ISBN/EAN: 0262524635

ISBN - alternate spelling:
0-262-52463-5, 978-0-262-52463-6


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