2017, ISBN: 64d0a85492eb499389f7c0fc3443fafd

Paperback, First edition

New York City Ny / London: American British Goodwill Exhibition Of Contemporary American Art / Grand Central Art Galleries, 1944. 1st Edition . No Binding. Near Fine. Simple Typed List … More...

New York City Ny / London: American British Goodwill Exhibition Of Contemporary American Art / Grand Central Art Galleries, 1944. 1st Edition . No Binding. Near Fine. Simple Typed List Of 100 Painters, 50 Sculptors, 50 Graphic Artists. A Terrific List Of 1944 Artists, From Andrew Wyeth, Thomas Hart Benton, Milton Avery, Lyonel Feininger, George Grosz, Peter Hurd, Reginald Marsh, Charles Sheeler, Millard Sheets, Joseph Stella, Alexander Archipenko Wanda Gag Rockwell Kent And John Sloan To A Virtual Who's-Who Of Leftist And Far-Leftist American Artists. With The Titles Of Their Works; The Graphic Art Is Priced And Shows The Method. We Could Locate No Specific Information About This Exhibition On-Line; Worldcat Showed No List Or Catalog; There Is Information " In March Some Of [Joe] Jones'S Eskimo Subjects Were Shown At Grand Central Art Galleries In New York As Part Of The American-British Goodwill Art Exhibition, Organized By Artists For Victory. The Show Traveled To London In June Of 1944." [See: A Restless Regionalist: The Art Of Joe Jones, 2017]., American British Goodwill Exhibition Of Contemporary American Art / Grand Central Art Galleries, 1944, 4, New York City Ny: Hyperion Press, 1942. 1st Edition . Soft cover. Very Good. One Color And One B/W Print. Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne To Be Published About March 1942 By Hyperion Press In 1250 Copies At 435 With 26 Copies In Morocco At $100, With 16 Color Plates, 48 Two-Tone Collotype Facsimiles And 134 Monochromes Including Different States. Cover, Descriptive Text On Inside Front Cover, Summary Descriptive Text On Inside Of Rear Cover, Two Prints Laid In Loosely. The Work Was Later Self-Published In 1948 In 550 Copies. Adelyn Dohme Breeskin (1896-1986) Was An American Curator, Museum Director, And Art Historian Known For Her Longtime Leadership Of The Baltimore Museum Of Art And Mary Cassatt Scholarship. Breeskin Moved To Baltimore To Work As A Curator In The Baltimore Museum Of Art And Was Promoted To Director Of The Museum In 1942. As The Director Of The Baltimore Museum Of Art, Breeskin Established A Works On Paper Collection, Supervised An Exhibit Of John Russell Pope, Mounted The Show "Abstract Expressionism," Oversaw Expansion To The Institution, Acted As Commissioner For The American Contingent Of 30Th Venice Biennale, And Negotiated The Donation Of Etta And Claribel Cone Collection. In 1962, Breeskin Left The Baltimore Museum Of Art To Become The Head Of Washington Gallery Of Modern Art. Breeskin Curated Shows Such As "Roots Of Abstract Art In America" In 1965, But She Resigned Two Years Later. From 1960 To 1974, She Served As The Curator Of Contemporary Painting And Sculpture At The National Collection Of Fine Arts Later Called The National Museum Of American Art Where She Featured Artists Such As Mary Cassatt, Milton Avery, H. Lyman Sayen, William J. Johnson, And Bob Thompson. In 1972, Dohme Signed Her Name To The Ms. Campaign: "We Have Had Abortions" Which Called For An End To "Archaic Laws" Limiting Reproductive Freedom, They Encouraged Women To Share Their Stories And Take Action. Beginning Her Research In The 1940S, Breeskin Authored Two Catalogue Raisonnés On Cassatt'S Paintings, Oils, And Pastels And Cassatt'S Watercolors And Drawings. She Acted As Curator Of The Cassatt Retrospective Exhibition At The National Gallery Of Art In 1970 Though She Was Simultaneously Working On The Sayn And Johnson Shows. Several Hours A Week, Breeskin Devoted Time To Adding Information To Her Catalogues And Answering Numerous Questions From Collectors From Around The World. 1956 President Of The Association Of Art Museum Directors, 1976 Katherine Caffey Award For Distinguished Accomplishment In The Museum Profession, 1984 Saluted By Women'S Caucus Of The American Association Of Museums As "An Exemplary Model Whose Distinguished Career Is Permanently Etched In The Fertile Ground Of American Art History.", 1985 Smithsonian Institution Presented Her Their Highest Award, The Gold Medal For Exceptional Service, Hyperion Press, 1942, 3<

1986, ISBN: 64d0a85492eb499389f7c0fc3443fafd

Paperback, First edition

New York City Ny: Hyperion Press, 1942. 1st Edition . Soft cover. Very Good. One Color And One B/W Print. Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt … More...

New York City Ny: Hyperion Press, 1942. 1st Edition . Soft cover. Very Good. One Color And One B/W Print. Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne Advertised As To Be Published About March 1942 By Hyperion Press In 1250 Copies At $35 And With 26 Copies In Morocco At $100, With 16 Color Plates, 48 Two-Tone Collotype Facsimiles And 134 Monochromes Including Different States- But Never Published As Such. Cover, Descriptive Text On Inside Front Cover, Summary Descriptive Text On Inside Of Rear Cover, Two Prints Laid In Loosely. The Work Was Later Self-Published In 1948 In 550 Copies. Adelyn Dohme Breeskin (1896-1986) Was An American Curator, Museum Director, And Art Historian Known For Her Longtime Leadership Of The Baltimore Museum Of Art And Mary Cassatt Scholarship. Breeskin Moved To Baltimore To Work As A Curator In The Baltimore Museum Of Art And Was Promoted To Director Of The Museum In 1942. As The Director Of The Baltimore Museum Of Art, Breeskin Established A Works On Paper Collection, Supervised An Exhibit Of John Russell Pope, Mounted The Show "Abstract Expressionism," Oversaw Expansion To The Institution, Acted As Commissioner For The American Contingent Of 30Th Venice Biennale, And Negotiated The Donation Of Etta And Claribel Cone Collection. In 1962, Breeskin Left The Baltimore Museum Of Art To Become The Head Of Washington Gallery Of Modern Art. Breeskin Curated Shows Such As "Roots Of Abstract Art In America" In 1965, But She Resigned Two Years Later. From 1960 To 1974, She Served As The Curator Of Contemporary Painting And Sculpture At The National Collection Of Fine Arts Later Called The National Museum Of American Art Where She Featured Artists Such As Mary Cassatt, Milton Avery, H. Lyman Sayen, William J. Johnson, And Bob Thompson. In 1972, Dohme Signed Her Name To The Ms. Campaign: "We Have Had Abortions" Which Called For An End To "Archaic Laws" Limiting Reproductive Freedom, They Encouraged Women To Share Their Stories And Take Action. Beginning Her Research In The 1940S, Breeskin Authored Two Catalogue Raisonnés On Cassatt'S Paintings, Oils, And Pastels And Cassatt'S Watercolors And Drawings. She Acted As Curator Of The Cassatt Retrospective Exhibition At The National Gallery Of Art In 1970 Though She Was Simultaneously Working On The Sayn And Johnson Shows. Several Hours A Week, Breeskin Devoted Time To Adding Information To Her Catalogues And Answering Numerous Questions From Collectors From Around The World. 1956 President Of The Association Of Art Museum Directors, 1976 Katherine Caffey Award For Distinguished Accomplishment In The Museum Profession, 1984 Saluted By Women'S Caucus Of The American Association Of Museums As "An Exemplary Model Whose Distinguished Career Is Permanently Etched In The Fertile Ground Of American Art History.", 1985 Smithsonian Institution Presented Her Their Highest Award, The Gold Medal For Exceptional Service, Hyperion Press, 1942, 3<

1942, ISBN: 64d0a85492eb499389f7c0fc3443fafd

Paperback, First edition

Gebraucht, sehr guter Zustand, [PU: Hyperion Press, New York City Ny], Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne Advertised As To Be Publishe… More...

Gebraucht, sehr guter Zustand, [PU: Hyperion Press, New York City Ny], Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne Advertised As To Be Published About March 1942 By Hyperion Press In 1250 Copies At $35 And With 26 Copies In Morocco At $100, With 16 Color Plates, 48 Two-Tone Collotype Facsimiles And 134 Monochromes Including Different States- But Never Published As Such. Cover, Descriptive Text On Inside Front Cover, Summary Descriptive Text On Inside Of Rear Cover, Two Prints Laid In Loosely. The Work Was Later Self-Published In 1948 In 550 Copies. Adelyn Dohme Breeskin (1896–1986) Was An American Curator, Museum Director, And Art Historian Known For Her Longtime Leadership Of The Baltimore Museum Of Art And Mary Cassatt Scholarship. Breeskin Moved To Baltimore To Work As A Curator In The Baltimore Museum Of Art And Was Promoted To Director Of The Museum In 1942. As The Director Of The Baltimore Museum Of Art, Breeskin Established A Works On Paper Collection, Supervised An Exhibit Of John Russell Pope, Mounted The Show “Abstract Expressionism,” Oversaw Expansion To The Institution, Acted As Commissioner For The American Contingent Of 30Th Venice Biennale, And Negotiated The Donation Of Etta And Claribel Cone Collection. In 1962, Breeskin Left The Baltimore Museum Of Art To Become The Head Of Washington Gallery Of Modern Art. Breeskin Curated Shows Such As “Roots Of Abstract Art In America” In 1965, But She Resigned Two Years Later. From 1960 To 1974, She Served As The Curator Of Contemporary Painting And Sculpture At The National Collection Of Fine Arts Later Called The National Museum Of American Art Where She Featured Artists Such As Mary Cassatt, Milton Avery, H. Lyman Sayen, William J. Johnson, And Bob Thompson. In 1972, Dohme Signed Her Name To The Ms. Campaign: “We Have Had Abortions” Which Called For An End To "Archaic Laws" Limiting Reproductive Freedom, They Encouraged Women To Share Their Stories And Take Action. Beginning Her Research In The 1940S, Breeskin Authored Two Catalogue Raisonnés On Cassatt’S Paintings, Oils, And Pastels And Cassatt’S Watercolors And Drawings. She Acted As Curator Of The Cassatt Retrospective Exhibition At The National Gallery Of Art In 1970 Though She Was Simultaneously Working On The Sayn And Johnson Shows. Several Hours A Week, Breeskin Devoted Time To Adding Information To Her Catalogues And Answering Numerous Questions From Collectors From Around The World. 1956 President Of The Association Of Art Museum Directors, 1976 Katherine Caffey Award For Distinguished Accomplishment In The Museum Profession, 1984 Saluted By Women’S Caucus Of The American Association Of Museums As “An Exemplary Model Whose Distinguished Career Is Permanently Etched In The Fertile Ground Of American Art History.”, 1985 Smithsonian Institution Presented Her Their Highes, Manuscripts & Paper Collectibles<

1942, ISBN: 64d0a85492eb499389f7c0fc3443fafd

Paperback, First edition

Used, very good, [PU: Hyperion Press, New York City Ny], Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne Advertised As To Be Published About March … More...

Used, very good, [PU: Hyperion Press, New York City Ny], Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne Advertised As To Be Published About March 1942 By Hyperion Press In 1250 Copies At $35 And With 26 Copies In Morocco At $100, With 16 Color Plates, 48 Two-Tone Collotype Facsimiles And 134 Monochromes Including Different States- But Never Published As Such. Cover, Descriptive Text On Inside Front Cover, Summary Descriptive Text On Inside Of Rear Cover, Two Prints Laid In Loosely. The Work Was Later Self-Published In 1948 In 550 Copies. Adelyn Dohme Breeskin (1896–1986) Was An American Curator, Museum Director, And Art Historian Known For Her Longtime Leadership Of The Baltimore Museum Of Art And Mary Cassatt Scholarship. Breeskin Moved To Baltimore To Work As A Curator In The Baltimore Museum Of Art And Was Promoted To Director Of The Museum In 1942. As The Director Of The Baltimore Museum Of Art, Breeskin Established A Works On Paper Collection, Supervised An Exhibit Of John Russell Pope, Mounted The Show “Abstract Expressionism,” Oversaw Expansion To The Institution, Acted As Commissioner For The American Contingent Of 30Th Venice Biennale, And Negotiated The Donation Of Etta And Claribel Cone Collection. In 1962, Breeskin Left The Baltimore Museum Of Art To Become The Head Of Washington Gallery Of Modern Art. Breeskin Curated Shows Such As “Roots Of Abstract Art In America” In 1965, But She Resigned Two Years Later. From 1960 To 1974, She Served As The Curator Of Contemporary Painting And Sculpture At The National Collection Of Fine Arts Later Called The National Museum Of American Art Where She Featured Artists Such As Mary Cassatt, Milton Avery, H. Lyman Sayen, William J. Johnson, And Bob Thompson. In 1972, Dohme Signed Her Name To The Ms. Campaign: “We Have Had Abortions” Which Called For An End To "Archaic Laws" Limiting Reproductive Freedom, They Encouraged Women To Share Their Stories And Take Action. Beginning Her Research In The 1940S, Breeskin Authored Two Catalogue Raisonnés On Cassatt’S Paintings, Oils, And Pastels And Cassatt’S Watercolors And Drawings. She Acted As Curator Of The Cassatt Retrospective Exhibition At The National Gallery Of Art In 1970 Though She Was Simultaneously Working On The Sayn And Johnson Shows. Several Hours A Week, Breeskin Devoted Time To Adding Information To Her Catalogues And Answering Numerous Questions From Collectors From Around The World. 1956 President Of The Association Of Art Museum Directors, 1976 Katherine Caffey Award For Distinguished Accomplishment In The Museum Profession, 1984 Saluted By Women’S Caucus Of The American Association Of Museums As “An Exemplary Model Whose Distinguished Career Is Permanently Etched In The Fertile Ground Of American Art History.”, 1985 Smithsonian Institution Presented Her Their Highes, Manuscripts & Paper Collectibles<

1942, ISBN: 64d0a85492eb499389f7c0fc3443fafd

Paperback, First edition

Gebraucht, sehr guter Zustand, [PU: Hyperion Press, New York City Ny], Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne To Be Published About March … More...

Gebraucht, sehr guter Zustand, [PU: Hyperion Press, New York City Ny], Apparently A Publishing Oddity, A 13" X 17" Prospectus For A Cassatt Catalogue Raisonne To Be Published About March 1942 By Hyperion Press In 1250 Copies At 435 With 26 Copies In Morocco At $100, With 16 Color Plates, 48 Two-Tone Collotype Facsimiles And 134 Monochromes Including Different States. Cover, Descriptive Text On Inside Front Cover, Summary Descriptive Text On Inside Of Rear Cover, Two Prints Laid In Loosely. The Work Was Later Self-Published In 1948 In 550 Copies. Adelyn Dohme Breeskin (1896–1986) Was An American Curator, Museum Director, And Art Historian Known For Her Longtime Leadership Of The Baltimore Museum Of Art And Mary Cassatt Scholarship. Breeskin Moved To Baltimore To Work As A Curator In The Baltimore Museum Of Art And Was Promoted To Director Of The Museum In 1942. As The Director Of The Baltimore Museum Of Art, Breeskin Established A Works On Paper Collection, Supervised An Exhibit Of John Russell Pope, Mounted The Show “Abstract Expressionism,” Oversaw Expansion To The Institution, Acted As Commissioner For The American Contingent Of 30Th Venice Biennale, And Negotiated The Donation Of Etta And Claribel Cone Collection. In 1962, Breeskin Left The Baltimore Museum Of Art To Become The Head Of Washington Gallery Of Modern Art. Breeskin Curated Shows Such As “Roots Of Abstract Art In America” In 1965, But She Resigned Two Years Later. From 1960 To 1974, She Served As The Curator Of Contemporary Painting And Sculpture At The National Collection Of Fine Arts Later Called The National Museum Of American Art Where She Featured Artists Such As Mary Cassatt, Milton Avery, H. Lyman Sayen, William J. Johnson, And Bob Thompson. In 1972, Dohme Signed Her Name To The Ms. Campaign: “We Have Had Abortions” Which Called For An End To "Archaic Laws" Limiting Reproductive Freedom, They Encouraged Women To Share Their Stories And Take Action. Beginning Her Research In The 1940S, Breeskin Authored Two Catalogue Raisonnés On Cassatt’S Paintings, Oils, And Pastels And Cassatt’S Watercolors And Drawings. She Acted As Curator Of The Cassatt Retrospective Exhibition At The National Gallery Of Art In 1970 Though She Was Simultaneously Working On The Sayn And Johnson Shows. Several Hours A Week, Breeskin Devoted Time To Adding Information To Her Catalogues And Answering Numerous Questions From Collectors From Around The World. 1956 President Of The Association Of Art Museum Directors, 1976 Katherine Caffey Award For Distinguished Accomplishment In The Museum Profession, 1984 Saluted By Women’S Caucus Of The American Association Of Museums As “An Exemplary Model Whose Distinguished Career Is Permanently Etched In The Fertile Ground Of American Art History.”, 1985 Smithsonian Institution Presented Her Their Highes, Books<