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Cindy Sherman
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Cindy Sherman - new book

ISBN: 9780262524636

ID: 978026252463

With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era''s most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman''s art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman''s almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman''s work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Books, Art and Architecture, Cindy Sherman Books>Art and Architecture, The MIT Press

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Cindy Sherman - Burton, Johanna
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Burton, Johanna:

Cindy Sherman - Paperback

ISBN: 9780262524636

[ED: Taschenbuch], [PU: MIT University Press Group Ltd], With her "Untitled Film Stills" of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white "Untitled Film Stills" through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as "Centerfolds," "Fairy Tales," and "Disasters." The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. 240 p. - 9 x 6 in Versandfertig in über 4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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Cindy Sherman - Burton, Johanna / Owens, Craig / Crimp, Douglas
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Burton, Johanna / Owens, Craig / Crimp, Douglas:
Cindy Sherman - used book

1970

ISBN: 9780262524636

ID: 799107

With her "Untitled Film Stills" of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began--feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings. The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white "Untitled Film Stills" through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as "Centerfolds," "Fairy Tales," and "Disasters." The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Cindy Sherman Burton, Johanna / Owens, Craig / Crimp, Douglas, MIT Press (MA)

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Cindy Sherman (October Files, 6) - Burton, Johanna (editor)
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Burton, Johanna (editor):
Cindy Sherman (October Files, 6) - Paperback

2006, ISBN: 9780262524636

ID: 810101005

Cambridge, Massachusetts: The MIT Press, 2006. Softcover. VG. Olive & white & BW illus. wraps, 222 pp., 54 BW plates. One artist-oriented issue of this periodical. A collection of 10 essays regarding the life and art of American artist Cindy Sherman (b. 1954). Contributors are Craig Owens, Douglas Crimp, Judith Williamson, Abigail Solomon-Godeau, Laura Mulvey, Norman Bryson, Rosalind Krauss, Kaja Silverman, Hal Foster, and Johanna Burton. Includes 54 BW illustrations of her work as well., The MIT Press, 2006

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Cindy Sherman - Johanna Burton
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Johanna Burton:
Cindy Sherman - Paperback

2007, ISBN: 9780262524636

ID: 7434413

Softcover, Buch, [PU: MIT Press]

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